This is a series Nikon digital cameras are big and heavy, Nikon D3S. But it is very comfortable to hold. separate vertical grip that adds comfort and became one of the characteristics of high-end Nikon DSLR. and a thick rubber lining on even this section will assist users in Operating in wet conditions.
When the Nikon D3 was launched in August 2007, it had an immediate impact on the DSLR market, and not only in the professional sector. The D3 was Nikon’s first DSLR with an FX (full frame) CMOS sensor, but its major selling point, in the minds of many photographers at the time, was its unparalleled image quality at high ISO settings. With the D3, photographers could shoot at ISO settings up to 6400 without a significant penalty in noise, and in a pinch, even go up to ISO 25,600 (equivalent) – unheard of at the time. This versatility, coupled with a very capable AF system and rugged, weatherproof build, did much to reverse Nikon’s declining fortunes in the professional DSLR market. Professional Canon users, many of whom were disillusioned by the seemingly endless problems that plagued the flagship EOS 1D Mark III at the time, flocked to the D3 in large numbers. In the process, Nikon mounted a formidable challenge to Canon in the sports and action segment of the pro marketplace.
A little over two years later, and Nikon is trying to build on the foundations laid by the D3′s runaway success. Enter the D3S. Ergonomically, very little has changed. In fact the D3S and its predecessor are difficult to tell apart at a casual glance, but the D3S does offer some significant improvements, not least a new 720x1280p video capture mode, and several minor tweaks designed to make the new camera more competitive. These include a new ‘Quiet’ shutter release mode (first seen in the D5000), in-camera dust reduction, and a choice of four image area formats, including DX, and a new 1.2x crop option. The D3S offers the same resolution as the D3, at 12 million pixels, but its redesigned sensor can hit new heights of ISO performance, offering a ‘native’ range of ISO 200-12,800, expandable up to ISO 102,400. Is the promise of even better low light performance enough to answer those critics that are clamoring for higher resolution? Read our in-depth test (which includes comparisons with the new Canon EOS 1D Mark IV) to find out. [via]
* Newly redesigned 12.1 megapixel Full-Frame (36 x 24 mm) sensor
* ISO 200 – 12,800 (ISO 100 – 102,400 including extension settings)
* 720p / 24 fps HD movie mode
* Eleven frames per second in continuous and DX mode
* Larger buffer for more than 30 RAW frames in one burst
* Multi-CAM3500FX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage), fine-tuned for improved acquisition and tracking
* In-camera RAW processing
* Also supports DX lenses, viewfinder automatically masks (5.1 megapixels with DX lens)
* 14-bit A/D conversion, 12 channel readout
* Nikon EXPEED image processor
* Super fast operation (power-up 12 ms, shutter lag 41 ms, black-out 74 ms)
* Kevlar / carbon fibre composite shutter with 300,000 exposure durability
* Auto-focus tracking by color (using information from 1005-pixel AE sensor)
* Auto-focus calibration (fine-tuning) available (fixed body or up to 20 separate lens settings)
* Scene Recognition System (uses AE sensor, AF sensor)
* Dual Compact Flash card slots (overflow, back-up, RAW on 1 / JPEG on 2, Stills on 1 / Movies on 2, copy)
* Compact Flash UDMA support
* 3.0″ 922,000 pixel LCD monitor
* Live View with either phase detect (mirror up/down) or improved (30% faster) contrast detect Auto Focus
* Virtual horizon indicates if camera is level, available on the LCD during video capture
* HDMI HD video output
* ‘Active D-Lighting’ ‘Extra High’ setting (adjusts metering as well as applying D-Lighting curve)
* Detailed ‘Control Panel’ type display on LCD monitor, changes in dark conditions
* Buttons sealed against moisture
* Dual battery charger as standard
